poem for Jim Carroll on the winter solstice (xii.xxi.mmx)
“she plumbs to the purple earth
light rising into her features”
—Jim Carroll
it is the year’s midnight, and it is the day’s—
the boy falls in love with the woman he finds
naked and dying on the sidewalk, fallen
from a fifth floor walkup’s window
where dusk is rising—
he crouches into her last dark breath,
this day’s faint gleaming returns to him
for years, the midnight of the year
and the day’s deep solstice
is snowing—
(he thinks of how it is to be gone in an instant)
he thinks she’s not a junkie whore,
her face still beautiful,
her mouth rasping, “I let them—”
he holds her unbroken hand and he sees
her eyes at the instant of utter change—
(in an instant—as if she were
an ordinary nothing, now)
long after she is gone he is kneeling
in the year’s midnight and the day’s deep
heroin dream— it is snowing beside her,
and he’s rising as if—
as if he could lift her with his faltering high—
but he’s crushed by her smooth unbreathing skin
(in an instant she is gone, but it’s as if he
were an ordinary nothing, now—
as if, he thinks, I’m still falling—)
and the boy still falls
now, as he covers her with his jacket,
it is the year’s deep midnight, and the day’s—
the stadium fills with snow.
Wednesday, December 22, 2010
Tuesday, December 21, 2010
poem for Jim Carroll on the winter solstice
"she plumbs to the purple earth
light rising into her features"
—Jim Carroll
it is the year’s midnight, and it is the day’s—
the boy falls in love with the woman he finds
on the sidewalk, naked and dying after falling
from a fifth floor window—only dusk rises there—
he crouches into her last dark breath,
this day’s faint gleaming returns to him
for years—it is the midnight of the year—
and the day’s deep solstice
(to be gone in an instant)
because she was not a junkie whore,
her face still beautiful,
her mouth saying “I let them—”
he holds her unbroken hand until he sees
her eyes at the instant of change—
(in an instant as if she were
an ordinary nothing)
and long after she is gone he is kneeling there
in the midnight of the year and the day’s deep
heroin dream beside her and rising as if—
as if he could lift her with his faltering high—
but he is crushed by her smooth unbreathing skin,
he is someone else now as he covers her
with his jacket—
(in an instant she is gone, but it is as if he
were an ordinary nothing, now—)
it is the year’s deep midnight, and the day’s
chaoses
fill the stadium with snow—
******************************
See the poem "Living at the Movies" by jim Carroll and John Donne's "A NOCTURNAL UPON ST. LUCY'S DAY,BEING THE SHORTEST DAY."
light rising into her features"
—Jim Carroll
it is the year’s midnight, and it is the day’s—
the boy falls in love with the woman he finds
on the sidewalk, naked and dying after falling
from a fifth floor window—only dusk rises there—
he crouches into her last dark breath,
this day’s faint gleaming returns to him
for years—it is the midnight of the year—
and the day’s deep solstice
(to be gone in an instant)
because she was not a junkie whore,
her face still beautiful,
her mouth saying “I let them—”
he holds her unbroken hand until he sees
her eyes at the instant of change—
(in an instant as if she were
an ordinary nothing)
and long after she is gone he is kneeling there
in the midnight of the year and the day’s deep
heroin dream beside her and rising as if—
as if he could lift her with his faltering high—
but he is crushed by her smooth unbreathing skin,
he is someone else now as he covers her
with his jacket—
(in an instant she is gone, but it is as if he
were an ordinary nothing, now—)
it is the year’s deep midnight, and the day’s
chaoses
fill the stadium with snow—
******************************
See the poem "Living at the Movies" by jim Carroll and John Donne's "A NOCTURNAL UPON ST. LUCY'S DAY,BEING THE SHORTEST DAY."
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